I enjoy working in collaborative, small ensemble settings. My music often engages with historical aesthetics, genres, and notations. For scores or inquiries, reach out through the contact form above.
In addition to undergraduate and graduate studies at The Juilliard School, I have held residencies at the Fondation des États-Unis in Paris as a Harriet Hale Woolley grantee (concurrently with a Fulbright Advanced Research fellowship, 2021–22), the OBRAS Foundation (Portugal, 2019), and Wildacres (USA, 2018), and received recognition with the Brian M. Israel Prize for Composition from the Society for New Music (2017), as winner of the New Juilliard Ensemble Commissioning Competition (2015), and as recipient of a Morton Gould Young Composer Award (2012).
Choir and voice | Large ensemble | Solo instrumental and chamber ensemble
Choir and VOICE
Fais doncq un chant/Requiem for five male voices (ATTBB)
2021, rev. 2023
Commissioned by The New Consort, directed by Brian Mummert for Josquin@500
Premiered in the Featured Performers series of Gotham Early Music Scene (NYC, 2021)
Revised and re-premiered with The New Consort in 2023 on the collaborative program Sounding Memory at Saint Thomas Church of 5th Avenue (NYC, 2023)
A SOLIS, a processional and recessional for solo voice
2022
For Sarah Grace Graves
Premiered at the Fondation des États-Unis (Paris, 2022), with sculpture installation by Madison Vander Ark
A SOLIS: processional
Sarah Grace Graves, voice and video
Madison Vander Ark, installation
Γηρυονηΐς: premonitions (on texts by Anne Carson) for 16-part SATB choir
2018
Commissioned by The New York Virtuoso Singers, directed by Harold Rosenbaum
Premiered at Advent Lutheran Church (NYC, 2018)
In Bedlem, that fayre cyte (a medieval carol) for SATB choir and organ
2018
Commissioned by Saint Michael and All Angels church of Sanibel Island, Florida.
Performances: Parish choir of Saint Michael and All Angels, directed by Hank Glass (Florida, 2018); Canticum Novum Singers, directed by Harold Rosenbaum (2019)
Published by Peermusic Classical (a division of Hal Leonard)
O God, my heart is ready (Psalm 108) for SSAATTBB choir and organ
2017
Commissioned by Daniel Hyde for the Saint Thomas Men & Boys Choir
Premiered at Saint Thomas Church of 5th Avenue (NYC, 2017)
Large ensemble
The Body Untied for haute-contre, baritone, and baroque chamber orchestra
2015–16
Presented by Amanda+James, lightbox, BZH NY, and Région Bretagne, for Owen McIntosh/Marc Molomot, haute-contre; Davóne Tines, baritone; and Rachel Libeskind, video installation
Premiered at lightbox gallery (NYC, 2016)
Performances: New Vintage Baroque (lightbox gallery, Holy Trinity Lutheran Church, NYC, December–January 2016), musicians of Festival Daniou (BZH NY’s Fête de la Bretagne, NYC, May 2016)
Sandglass Vespers for chamber orchestra
2015
Commissioned by the New Juilliard Ensemble, directed by Joel Sachs
Premiered at Alice Tully Hall at Lincoln Center (NYC, 2015)
Solo instrumental AND CHAMBER ENSEMBLE
marginalia i for solo violin
2016, rev. 2022
Commissioned by Thing of Wonder for Rebecca Anderson, violin
Premiered in the Thing of Wonder lecture series (NYC, 2016)
Revised for Dhyani Heath and re-premiered at the Fondation des États-Unis (Paris, 2022) and by William Tsutomu Copland at The Juilliard School (NYC, 2023)
marginalia i
Dhyani Heath, violin
marginalia ii for solo piano
2017–18
For Robert Fleitz, pianist
Performances: Robert Fleitz (NYC, Latvia, Portugal, 2018); Thomas Feng (NYC, 2019)
transeamus for string quartet
2014
Premiered by the Canite Quartet at Paul Hall, The Juilliard School (NYC, 2015)
Performances: Music at Thornham Festival (Suffolk, United Kingdom, 2015), New Music Society (Syracuse, NY, 2017); Iceberg Quartet (Banff, 2018)